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Composer of Film Music & Commercials

This is the personal website for David Hamill, a dynamic and accomplished composer in the field of composition for Film & TV.

His compositions have been broadcast on the History Channel and Discovery network, and his orchestration work is credited as "sterling" in Andrew Piddington's controversial feature: The Killing of John Lennon

Recent News...

November 08 : 'The Vicinity Code' and 'Rolfe' by Thomas Whitworth & Dave Hamill are screened at Can Film Festival

November 08 : 'Waving at Trains' short film starring Pete Postlethwaite and Sue Johnston moves into production. David will be working with Producer/Director Sean Crotty to deliver a Ravel influenced orchestral score.

November 08 : Track released in Quest Worldwide Production Music's 'Air Magic' Album:

"Air Magic is a collection of light, airy and chilled based tracks aimed for use within scenic productions. The album includes a mixture of orchestral and electronic based tracks from 10 different composers to provide that ecclectic, high and breezy feel."

November 08 : Pitch in for The Sunday Times ...example 1 & example 2 (Violin performed by Yu Kimura - strange humming noises by yours truly)

October 08 : Dave pitches music for a Christmas Eve episode of a well known BBC1 drama!

October 08 : Plans to licence more tracks to Quest Worldwide

October 08 : Track released in Quest Worldwide Production Music's 'Tonal Drones' Album:

"QWPM is proud to announce the release of it's first album "Tonal Drones". This album is a mixture of 15 light and dark tones and drones written by 6 different Composers and is suitable for a variety of TV and film productions requiring that edge"

October 08 : Composition work for Mark Marlow's 'The Brian Jackson Show' is complete.

October 08 : Audio tracks are submitted and licenced to Quest Worldwide Production Music

October 08 : Dave works with The Giggle Group as a Location Sound Recordist.

October 08 : Sound Recording at the new Superleague Formula event in Donington Park UK. New material documenting Craig Dolby's racing talents become a 9min Docu Short. Example to follow....

September 08 : Pitches in for The Sunday Times advertising campaign

August 08 : Pitch in for Toshiba

July 08 : Dave works with Tsunami Sound on a BBC1 Ident Pitch. Guitar and mastering by Jonathan Scott in Victoria Rooms, Bristol.

June 08 : Brian Jackson titles emerge...

June 08 : Boom Op on 'Domestic Flight' a 16mm short by Julie Edwards. Post work on music sync and selected cues. Have a listen: example 1 / example 2

June 08 : Rolfe is entered into Encounters

May 08 : Pitch going in for 'Stella Light'. David works with musicians Tim Harrison, Mel Thomas, Jared Williams, and Jean Hasse. To hear a wee bit of it, click THIS!

April 08 : 'Rolfe' (working title) becomes a short film

Thomas Whitworth

Director, Producer, Director of Photography, Editor

David Hamill

Composer, Location Sound Recordist, Sound Design/Track Lay and Assistant Editor

Jonathan Scott

Dubbing Mixer

April 08 : See Dave in Greenland at work as a Location Sound Recordist (opens in new window):

David_Hamill_in_Greenland

March 08 : Dave heads off to Ittoqqortoormiit in Greenland as a Location Sound Mixer to gather footage for a new documentary. Click the photo to hear the sound! (opens in new window)

. David Hamill in Greenland Greenland_David_Hamill_2

Photography by Nick Ledger.

March 08 : Pitching for British Airways 'Aquarium' commercial

February 08 : Pitch goes in for the new Ford commercial

December 07 : Reviews for 'The Killing of John Lennon' :

http://www.metro.co.uk/metrolife/films/article.html?in_article_id=78665&in_page_id=27

http://www.liverpooldailypost.co.uk/liverpool-life-features/liverpool-arts/2007/12/07/film-review-the-killing-of-john-lennon-64375-20219469/

http://blogs.guardian.co.uk/film/2007/12/film_weekly_goes_psycho_with_m.html

http://www.futuremovies.co.uk/review.asp?ID=777

Watch the TRAILER: here

the_killing_of_john_lennon_2

 

December 07 : Exciting plans are being made with Producer/Director Sean Crotty for a short film with Pete Postlethwaite and Sue Johnston

October 07 : Pitch is in for the new Stella Artois advert - David works with musicians Jared Williams, Tim Harrison and Jean Hasse. To watch it, CLICK here

August 07 : Work complete on 'RIP TV' by Neil Ferguson - click here for a sample

nigel harman rip tv

July 07 : Samples for a new style of game show title music have been sent off for pitching!

June 07 : A new collaboration with Neil Ferguson on his recent short is coming up soon. Also Dave has been working on another pitch for Lexus.

June 07 : David is pitching for the new Clarks advert

May 07 : David is pitching for the new Pizza Hut advert

May 07 : David is pitching for the new HSBC advert

April 07 : Provisional plans for another collaboration with Tom Whitworth on a new short film...

March 07 : New work as Co-Orchestrator and Programmer for the score of Andrew Piddington's new feature The Killing of John Lennon. David is working alongside Bristol based composer Martin Kiszko. Further info and examples to come.

killing of john lennon

Dec 06: David's compositions are used in Flashback's new war documentary!

Dec 06: New work for racing driver Craig Dolby has been successfully received by promoters and advertising agencies this month. The promotional dvd was produced, written and directed by Tom Whitworth and is available for viewing at www.cue6.com (2nd half of 'commercial & advertising' showreel)

 



A Directors take on music for film...

"In what way does music best enhance film?"

Director Francis Ford Coppola states:-
 
"Music is a big factor in helping the illusion of the film come to life. The same way music brings back different periods of our lives."
 
Director Martin Scorsese states:-
 
"Music and cinema fit together naturally. Because there's a kind of intrinsic musicality to the way moving images work when they're put together. It's been said that cinema and music are very close as art forms, and I think that's true. Take a filmmaker like Kubrick. He really understood the rhythmic impact of two images coming together. He also had an extraordinary feel for the pace or tempo, a musical term, of a given scene. And he knew that when you add a piece of music to a scene, and if it's just the right piece of music, hitting at just the right instant – like the refrain of Handel's Sarabande, the main theme from Barry Lyndon (1975), over the little boy's funeral procession, or 'Surfin' Bird' by the Trashmen fading up over the panning shot of the soldiers in the second half of Full Metal Jacket (1987), or the use of the 'Blue Danube Waltz' in 2001 : A Space Odyssey (1968)– you've given that scene an extra dimension, a sense of mystery, of life beyond the frame, that it would not have had otherwise. Of course, that's very hard to do. It requires a lot of concentration. Because it's very easy for the music to become a kind of security blanket, for the filmmakers and then for the audience. It's bad enough when it's used for nostalgic purposes, or when it's used to place a scene in time, but there's nothing worse than when music is used to tell the audience what they should be feeling. Unfortunately, it happens all the time."
Music Video Director Chris Harding (Shynola) states:-
(Music videos for Radiohead's Pyramid song and The Rapture's House of Jealous Lovers, among others)
"Music is a powerful tool in film making, it can add layers of emotion, or even change the impact of a sequence entirely, but it can be a short cut to emotion and can make directors lazy. An example of really inspired use of music is the climax of Rintarô's animated re-interpretation of the sci-fi classic Metropolis (2001). A huge doomsday device is exploding in mind boggling anime detail, whilst Ray Charles' version of 'I can't stop loving you' plays, transforming a catastrophic event into a thing of sombre beauty."

Excerpts from bfi site - http://www.bfi.org.uk/

 
© All content David Hamill